Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.Special Issue 2 / 2023 - Table of contents
     
     
 
1.  THE MUSICAL STYLE OF SÁNDOR VERESS’S FOUR TRANSYLVANIAN DANCES. THE SYNTHESIS OF ‘TRADITION’ AND ‘RENEWAL’.
          Authors: MIKLÓS FEKETE.


2.  SÁNDOR VERESS’S THRENOS IN THE LIGHT OF ‘TRADITION’ AND ‘RENEWAL’.
          Authors: MIKLÓS FEKETE.


3.  THE EXOTICISM OF OLIVIER MESSIAEN.
          Authors: MĂDĂLINA DANA RUCSANDA, NOÉMI KARÁCSONY.


4.  HIDE-AND-SEEK BETWEEN THE SERIAL AND THE MODAL IN ANATOL VIERU’S CONCERTI.
          Authors: OLGUȚA LUPU.


5.  [CO]EXISTENCE AS INTERSENSORIALITY IN THE SYMPHONIES OF HAVASI BALÁZS.
          Authors: MARIA-ROXANA BISCHIN.


6.  EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC.
          Authors: MD JAIS ISMAIL, FUNG CHIAT LOO.


7.  MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION.
          Authors: VIOLETTA ARTEMENKO.


8.  A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN.
          Authors: NATALIYA BYELIK-ZOLOTAROVA, NATALYA ZOLOTARYOVA, VIACHESLAV BOIKO, TETIANA SUKHOMLINOVA, OLENA ZAVERUKHA.


9.  INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION.
          Authors: MIHAELA ITIGAN, STELA DRĂGULIN.


10.  ARTISTIC ENERGY OF THE PERFORMERS IN THE MIRROR OF THEIR REPERTOIRE PREFERENCES.
          Authors: MАRIANNA CHERNYAVSKA, IRYNA IVANOVA, KIRA TIMOFEYEVA, TETIANA SYRIATSKA, OKSANA MITS.


11.  EXPLORING LEARNING AND UNLEARNING IN SINGING TECHNIQUE (BREATH).
          Authors: CRISTINA RADU-GIURGIU.


12.  MODIFYING PROCESSUALITY OF EMOTIONS OF A MUSICIAN-PERFORMER.
          Authors: VІTALІI ZAIETS, OKSANA ZAIETS.


13.  VOCAL IMPROVISATION – A COGNITIVE AND A PSYCHOLOGICAL PROCESS.
          Authors: LUIZA ZAN, STELA DRĂGULIN.


14.  MUSIC MEDIATION ON STAGE.
          Authors: DALMA LIDIA TOADERE.


15.  TAPPING INTO UNKNOWN MUSICAL AREAS ANALYSIS OF A MEDIEVAL BOHEMIAN MUSICAL MANUSCRIPT.
          Authors: SZABOLCS MÁRTON.


16.  ANALYTICAL ASPECTS IN MISSA DE BEATA VIRGINE BY JOSQUIN DES PREZ.
          Authors: APOLKA FÁBIÁN.


17.  “ADIEUX À BACH” * FAREWELL TO BACH.
          Authors: SÁRA AKSZA GROSZ.


18.  THE VARIANT METHOD OF COMPOSITION IN THE VOCAL WORKS BY FRANZ LISZT.
          Authors: OKSANA ALEKSANDROVA, NATALIYA GOVORUKHINA.


19.  EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE.
          Authors: OLENA ANTONOVA.


20.  COLORISTIC TONAL AND HARMONIC COMPOSITIONAL TECHNIQUES IN ZOLTÁN GÁRDONYI’S CHORAL WORKS FOR ORGAN.
          Authors: JÁNOS ZSOLT IMRE.


21.  STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE.
          Authors: ALEXANDRA BELIBOU.


22.  EXPLORING CHINESE CULTURAL IDENTITY IN THE LIANG ZHU VIOLIN CONCERTO: AN INTERCULTURAL PERSPECTIVE ON THE ADAPTATION OF TRADITIONAL ELEMENTS IN WESTERN CLASSICAL MUSIC LANGUAGE.
          Authors: MARIA-MAGDALENA SUCIU, STELA DRĂGULIN.


23.  SOPRANOTRONICS 101. AN ANALYTICAL APPROACH WITH REPERTORIAL PROPOSAL.
          Authors: MIHAELA BUHAICIUC.


24.  INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (1) THE CELLO CONCERTO.
          Authors: PAULA ȘANDOR.


25.  BOOK REVIEW: THE BOOK OF A THOUSAND IMAGES AND MEANINGS [PASCAL BENTOIU, IMAGINE ȘI SENS (IMAGE AND MEANING), BUCHAREST: EIKON, 2023].
          Authors: OLEG GARAZ.


26.  CD REVIEW: COMPOZITORI CLUJENI. GENERAȚIA ‘76-’80 [CLUJ COMPOSERS. ‘76-’80 GENERATION].
          Authors: CRISTINA ȘUTEU.


  
     
 
 
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